Hi there Julie! Let’s start with a little introducing yourself?
I am a Still Life and Portrait Photographer whose passion for my craft is more than just an artistic pursuit—it’s an addiction, a delightful obsession. My journey in photography reads like a dynamic narrative of exploration, discovery, and the sheer joy of creating beautiful images.
I’m drawn to the intricacies of Still Life, the mesmerising details of Macro, the delicate beauty of Florals, the tantalising allure of Food, but my heart truly sings for Portraits. My photographic journey began as a whirlwind exploration of every genre imaginable, a quest to find my visual voice within the vast landscape of image-making. Through countless experiments, heart-wrenching failures, and exhilarating breakthroughs, I discovered my true calling: crafting visually stunning photographs.
A self-proclaimed ‘dag’, I believe life is for living and laughter. Photography is more than just clicking a shutter for me; it’s a celebration of the process, a dance with light and shadow. I’ve spent countless hours studying the masters, experimenting with lighting, staging, and styling, transforming my home studio into a creative sanctuary. It’s a space where I’ve honed my skills and now share my passion with others through workshops and classes.
Tell us a bit about your photographic journey. How did you get started, and what keeps you passionate about it today?
I was first inspired by photography in high school, bought my first second-hand film SLR camera and shot only in B&W. Mostly people and landscapes etc. When I left school and the darkroom I lost my mojo and didn’t get back into photography, apart from happy snaps, until 10 years ago. I guess I was at a crossroads and yearned for an artistic and creative outlet. Photography was calling me again. I bought my first DSLR and jumped in with an enthusiasm to try everything. I don’t think there is a genre I haven’t tried.
How would you describe your approach to capturing a scene or subject? (What’s your photography “style”?).
My favourite genres are still life and creative portraits, which are both totally different. Still life is almost like a form of meditation, it’s my zen-time. I like to quietly potter in my home studio and create.
Portraits on the other hand, require planning. I love to mind map out ideas, source, make or borrow costumes and props. I often work with a team of makeup artists, hair stylists, models etc. So I will often work months in advance. Time to plan and pull things together. Depending on the shoot It may take several hours to stage my small home studio, at other times, it is a simple backdrop and creative lighting.
I adore working with creative themes and lighting often plays a large part in that.
Beyond technical skills, what are some essential qualities that helped you become a better photographer?
Creativity and imagination have always served me well. I like to think beyond a simple portrait. I prefer to craft a story, bring a fantasy element to life. Often I add digital elements to my photos to create pure fantasy.
Who are some photographers (or artists in general) who inspire you, and how does their work influence your own?
So many modern photographers like Brooke Shaden, Richard Wood, Robert Cornelious, Rusty McDonald. I love story-telling, and often the addition of digital art to my photos. All of these artists bring both photography and digital art together so beautifully. When it comes to other artists, I adore Rembrandt, and Monet for colour, lighting and more.
Tell us the story behind one of your most impactful photographs.
From a confidence and learning perspective my Dapper Rabbit conceptual portrait series, really allowed myself to grow as a photographer. It gained respect from fellow photographers, which gave me the confidence that I could believe in myself and my work. But I also learned so much technically, I had to, simply to create what was my vision. There were 12 images in total – including Australian Gothic. It took 2 years to complete and even had its own exhibit back in 2018. It was the largest project I have ever undertaken. I work on much smaller projects these days.
Any advice you have for aspiring photographers?
Learn from others around you, but don’t be intimidated and don’t compare yourself. We all start somewhere and often our mistakes are what help us learn. Create because you enjoy it, you love it, you need it, not because you want to be rich or famous or liked. If you create something you are passionate about, others will be drawn to that passion.
Are you working on any exciting projects you’d like to share with our readers?
I am always working on something. I adore running photoshoots and workshops, so I am always planning new ones. I also have a passion project which I jump into every now and then. Strong historic women throughout history. I have just finished capturing Joan of Arc, although I have been inspired to also create another version of this icon as well.
What’s your favourite Tamron lens, and why?
In the studio it’s definitely my 28-75mm Sony E-mount lens. It allows me to capture close-ups or full body shots in my small home studio, as well as still life photos too. Out of the studio for portraits, nature and more its the 70-300mm Sony E-mount lens. I love the zoom but it is still small enough that it’s not too heavy. It creates a gorgeous bokeh and compression. The 70-180mm f/2.8 is probably one of my favourite lenses for outdoor portraits.
Provide a few photos you think capture you as a photographer.
Thank You!